“For Herrera, there is a considerable distance in the relationship between human and nature, and throughout her work, she aims to repair this relation by producing elements that are constantly removed, altered and forgotten. Her work is presented as a resistance where those sculptures remain in an ideal state and act like a model of representation of a reality that doesnt suffer any change.
Trough her practice in sculpture, Herrera has is been representing corporality in movement trough her extensive work with birds. Herrera has exhibited in her country as well as participating in solo and group shows in Europe, Asia and USA. She has been cooperating with artists as well as organizations and private clients as 215mmcann, Olivari Olive Oil, Volevatch, Longwood gardens US, ENI, Marina Rinaldi, Lebeau- Courally, and many others.
The interest that Herrera has in economic materials in general, is the potential of transformation that may occur with just the implementation of simple techniques and process based on repetition. Just as the patterns found in nature, her sculptures comprehends massive groups of elements that together compose a major complex system. “ – http://www.dianabeltranherrera.com/